The pop, rock, and soul reader : (Record no. 4841)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04986cam a2200349 a 4500 |
| 001 - CONTROL NUMBER | |
| control field | 15407663 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20210225121017.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 080811s2009 nyu bk 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2008035590 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780195365931 (pbk.) |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)ocn236333545 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)236333545 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DLC |
| Transcribing agency | DLC |
| Modifying agency | BTCTA |
| -- | BAKER |
| -- | YDXCP |
| -- | C#P |
| -- | BWX |
| -- | UPP |
| -- | DLC |
| 043 ## - GEOGRAPHIC AREA CODE | |
| Geographic area code | n-us--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML 3477 |
| Item number | .B68 2009 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 781.6409 |
| Edition number | 22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Brackett, David. |
| 245 14 - TITLE STATEMENT | |
| Title | The pop, rock, and soul reader : |
| Remainder of title | histories and debates / |
| Statement of responsibility, etc. | David Brackett. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 2nd ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | New York : |
| Name of publisher, distributor, etc. | Oxford University Press, |
| Date of publication, distribution, etc. | 2009. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xvii, 606 p. ; |
| Dimensions | 24 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references (p. 589-593), discographies, and index. |
| 505 2# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Irving Berlin in Tin Pan Alley -- Technology, the dawn of modern popular music, and the "king of Jazz" -- Big band swing music : race and power in the music business -- Solo pop singers and new forms of fandom -- Hillbilly and race music -- Blues people and the classic blues -- The empress of the blues -- At the crossroads with Robert Johnson, as told by Johnny Shines -- From race music to Rhythm and blues : T-Bone Walker -- Jumpin' the blues with Louis Jordan -- On the bandstand with Johnny Otis and Wynonie Harris -- The producers answer back : the emergence of the "indie" record company -- Country music as folk music, country music as novelty -- Country music approaches the mainstream -- Hank Williams on songwriting -- Rhythm and blues in the early 1950s : B.B. King -- "The house that Ruth Brown built" -- Ray Charles, or when Saturday night mixed it up with Sunday morning -- Jerry Wexler : a life in R&B -- The growing threat of rhythm and blues -- Langston Hughes responds -- from Rhythm and blues to rock 'n' roll : the songs of Chuck Berry -- Little Richard : boldly going where no man had gone before -- Elvis Presley, Sam Phillips, and Rockabilly -- Rock 'n' roll meets the popular press -- The Chicago defender defends rock 'n' roll -- The music industry fight against rock 'n' roll : Dick Clark's teen-pop empire and the payola scandal -- |
| 505 2# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Brill building and the girl groups -- From surf to smile -- Urban folk revival -- Bringing it all back home : Dylan at Newport -- "Chaos is a friend of mine" -- From R&B to soul -- No town like Motown -- The Godfather of soul and the beginnings of funk -- "The blues changes from day to day" -- Aretha Franklin earns respect -- The Beatles, the "British invasion," and cultural respectability -- A hard day's night and Beatlemania -- England swings, and the Beatles evolve on Revolver and Sgt. Pepper -- The British art school blues -- The Stones versus the Beatles -- If you're goin' to San Francisco-- -- The kozmic blues of Janis Joplin -- Jimi Hendrix and the electronic guitar -- Rock meets the avant-garde : Frank Zappa -- Pop/bubblegum/Monkees -- The aesthetics of rock -- Festivals : the good, the bad, and the ugly -- Where did the sixties go? -- The sound of autobiography : singer-songwriters, Carole King -- Joni Mitchell journeys within -- Sly Stone : "the myth of Staggerlee" -- Not-so-"little" Stevie Wonder -- Parliament drops the bomb -- Heavy metal meets the counterculture -- Led Zeppelin speaks! -- "I have no message whatsovever" -- Rock me, Amadeus -- Jazz fusion -- Get on up disco -- Punk : the sound of criticism? -- Punk crosses the Atlantic -- Punk to new wave? -- |
| 505 2# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | UK new wave -- A "second British invasion," MTV, and other postmodernist conundrums -- Thriller begets the "King of Pop" -- Madonna and the performance of identity -- Bruce Springsteen : reborn in the USA -- R&B in the 1980s : to cross over or not to cross over? -- Heavy metal thunders on! -- Metal in the late eighties : glam or thrash? -- Postpunk goes Indie -- Indie brings the noise -- Hip-hop, don't stop -- "The music is a mirror" -- Where rap and heavy metal converge -- Hip-hop into the 1990s : gangstas, fly girls, and the big bling-bling -- Nuthin' but a "G" thang -- Keeping it a little too real -- Sample-mania -- Women in rap -- The beat goes on -- From Indie to alternative to-- -- Riot girl -- Grunge turns to scrunge -- A "postalternative icon" -- "We are the world"? -- A Talking Head writes -- Genre or gender? The resurgence of the singer-songwriter -- Public policy and pop music history collide -- Electronica is in the house -- R&B divas go retro -- Fighting the power in a post-9/11 mediascape: the Dixie Chicks -- The end of history, the mass marketing of trivia, and a world of copies without originals. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Popular music |
| Geographic subdivision | United States |
| General subdivision | History and criticism. |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | Table of contents only |
| Uniform Resource Identifier | <a href="http://www.loc.gov/catdir/toc/ecip0825/2008035590.html">http://www.loc.gov/catdir/toc/ecip0825/2008035590.html</a> |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) | |
| a | 7 |
| b | cbc |
| c | orignew |
| d | 1 |
| e | ecip |
| f | 20 |
| g | y-genmusic |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Library of Congress Classification |
| Koha item type | Short Loan |
| Date last seen | Total checkouts | Full call number | Barcode | Price effective from | Koha item type | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Withdrawn status | Home library | Current library | Shelving location | Date acquired |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 10/13/2023 | ML 3477 | .B68 2009 | 301578 | 10/13/2023 | Loan | Library of Congress Classification | Margaret Thatcher Library | Margaret Thatcher Library | First Floor | 10/13/2023 | |||||
| 10/13/2023 | ML 3477 | .B68 2009 | 20077301 | 10/13/2023 | Loan | Library of Congress Classification | Margaret Thatcher Library | Margaret Thatcher Library | First Floor | 10/13/2023 |